Decolonizing Creative Research

As it would be absurd and nonsensical, in fact insulting and self-defeating to the essentially creative human nature, to expect from any artist, say a painter or a musician, to seek permission or consent in advance from others to draw their paintings or to compose their music and then make them publicly available, it should be regarded as nonsensical and absurd, in fact insulting and self-defeating to the essentially creative human nature, to expect that creative researchers subject their works to anyone’s permission or judgment in advance during their conduct and before their public release.

Pre-publication peer reviewing is an artifact of Westernized imperial university system. It is so hypnotically induced in academia today that its inhabitants take it for granted as if it is a law onto itself, as if it is how things have been practiced throughout history. It is a colonial practice done in the name of science, one that enables self-/censorships of alternative perspectives that challenge and interrogate the basic structures and assumptions of Western culture and science.

Many research projects are perhaps not even launched in anxious anticipation of such filtering to be done amid a hierarchical system of self-serving rankings that dominate academic departments and colleges. Lives are lived without young or not-so-young scholars producing their best works, because their intellection is pre-engineered amid a looking glass-self imagination of how others may treat and judge their work. It thus serves to marginalize, exclude, ostracize, and stigmatize alternative and decolonizing research practices of even already credentialed and licensed scholars who have been trained in their fields, having already gone through a rigorous education and training process.

If any of such absurd pre-publication peer review procedures were consistently applied retroactively in history, all the so-called classics of human heritage down to the status-quo-defying innovative modern discoveries would have to be regarded as unteachable or unpublishable today. This is because none of their creators appealed in advance to a so-called expert authority or traditional publisher for any permission to follow their creative impulses and produce new philosophical, religious, and/or scientific works. It suffices here to recall the following: “(Mr. Rosen and I) sent our publication to you without the authorization that you may show it to other specialists before it is printed. I do not see any reason to follow your anonymous reviewer’s recommendations (which incidentally are erroneous). In view of the foregoing, I will consider having the work published elsewhere” (Albert Einstein, as quoted in Alice Calaprice 2011:388-389).

About OKCIR

Hands-Painting - OKCIR Painting Self and World

OKCIR RESEARCH SPOTLIGHTS ON IMPERIALITY AND COLONIALISM

Latest OKCIR Publications

FRONT COVER: Khayyam’s Tent: A Secretive Autobiography: 1000 Bittersweet Robaiyat Sips from His Tavern of Happiness OMAR KHAYYAM Logically Re-Sewn and Translated in Verse by Mohammad H. Tamdgidi
Front Cover - Tamdgidi, Mohammad H. - Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 12: Khayyami Legacy: The Collected Works of Omar Khayyam (AD 1021-1123) Culminating in His Secretive 1000 Robaiyat Autobiography. With Forewords by Winston E. Langley and Jafar Aghayani Chavoshi
Front Cover - Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 11: Khayyami Robaiyat: Re-Sewing the Tentmaker’s Tent: 1000 Bittersweet Wine Sips from Omar Khayyam’s Tavern of Happiness--by Mohammad H. Tamdgidi
Omar Khayyam's Secret Series Books 1-12 Cover, Tamdgidi, Mohammad H. Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination

Q.917
From the beginning, I searched by way of the sky
To find where the tablet, pen, heaven, or hell lie.
Then the teacher told me, “From the right point of view,
The pen of fate, paradise, or hell, is your ‘I.’”

Q.918
If I, like God, had a hand on my sphere at will,
I would unravel this sphere entirely until
I rebuilt another sphere anew so the free
Could, without an ordeal, their goals in life fulfill.

Q.919
If I had a hand on luck’s tablet, pen, and ink,
I would rewrite it and do what I like and think.
I’d cross out the world’s sorrows at once and for all,
And from such happiness fly to the heaven’s brink!

Q.920
O the mixture of the four elements! Yes, you!
Hear these words that came from the Divine world to you:
You can be a devil, beast, angel, or human.
Who you are, and who you can be, depends on you!

Q.921
Beware not to lose your grip on the wisdom’s thread.
Don’t let yourself be to the times’ good or bad wed.
You’re the traveler, the road, and the journey’s end.
Beware not to be lost but to your true self led.

Q. 961
My way is to Drink this Wine and to be happy.
My faith is to be of faith-unfaith twoness free.
I asked what the universe wants to be my bride.
“My bride-price is your heart’s happiness,” answered she.

Q.962
They say that this ruined world is bad and unfair.
The world is good, what’s been bad is our own affair.
From a twisted eye the building will grow twisted.
The world will be just when it’s in our wisdom’s care.

Q.963
O humankind! You are the gist of space and time!
Let go of obsessions with profit’s loss or climb!
Drink a Cup of this Wine, from its lasting Tender,
To become free of the “two worlds” sorrowful rhyme.

Q.964
If improving the whole Earth is your lifetime’s goal,
It’s better to bring joy now to one grieving soul.
If you freely earn the respect of someone now,
It’s better than ‘hoping’ to free thousands on roll.

Q.965
I give you an advice, if you lend me your ear:

For God’s sake, don’t wear duplicitous clothes. You hear?
The times you live in the world last just a second.
Don’t sell human survival for a pause you’re here.

Omar Khayyam (in Tamdgidi translation)

Welcome to Okcir

OKCIR: Omar Khayyam Center for Integrative Research in Utopia, Mysticism, and Science (Utopystics)

OKCIR: Omar Khayyam Center for Integrative Research in Utopia, Mysticism, and Science (Utopystics) (est. 2002) is an independent research and publishing initiative dedicated to exploring, in a simultaneously world-historical and self-reflective framework, the human search for a just global society.

Since the world’s utopian, mystical, and scientific movements have been the primary sources of inspiration, knowledge, and/or practice in this field, OKCIR aims to critically reexamine the shortcomings and contributions of these world-historical traditions—seeking to clearly understand why they have failed to bring about the good society, and what each can integratively contribute toward realizing that end.

OKCIR aims to develop new conceptual (methodological, theoretical, historical), practical, pedagogical, inspirational and disseminative structures of knowledge whereby the individual can radically understand and determine how world-history and her/his selves constitute one another.

The center promotes creative exercises in liberating sociology and alternative pluriversities of knowledge production and publication in the global cyberspace. As a virtual research center, its publications are available online in its free-access digital library and in other academic database member-stacks, and for purchase online via the Okcir Store and other online distributors. Selected publications are also available in print for online purchase by libraries, institutions, and interested print readers.

For more information about the center, please visit here.

Free-Access OKCIR Library

Read FREE-ACCESS online all of OKCIR's publications site-wide in embedded PDF format. Support OKCIR by ordering its print and downloadable PDF publications and/or offering links on your websites or social media to OKCIR posts, pages, or publications you find helpful.
Read FREE-ACCESS online all of OKCIR's publications site-wide in embedded PDF format. Support OKCIR by ordering its print and downloadable PDF publications and/or offering links on your websites or social media to OKCIR posts, pages, or publications you find helpful.

OKCIR Newsletter

Freely subscribe to OKCIR's newsletter for a 40% discount on its print and downloadable PDF publications.

Special Issue on Mahmoud Darwish (1941-2008), the National Poet of Palestine

For My Mother

— by Mahmoud Darwish

I long for my mother's bread,
For my mother's coffee,
For her touch.

Childhood memories grow up in me,
Day after day.

I must be worth my life
At the hour of my death,
Worth the tears of my mother.

And if I come back one day,
Take me as a veil to your eyelashes.

Cover my bones with the grass,
Blessed by your footsteps.

Bind us together
With a lock of your hair,
With a thread that trails from the back of your dress.

I might become immortal,
Become a God,
If I touch the depths of your heart.

If I come back,
Use me as wood to feed your fire,
As the clothesline on the roof of your house.

Without your blessing
I am too weak to stand.
I am old.

Give me back the star maps of childhood
So that I,
Along with the swallows,
Can chart the path
Back to your waiting nest.

“If I touch the Depth of Your Heart … ” : The Human Promise of Poetry in Memories of Mahmoud Darwish HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume VII • Special Issue • 2009 Journal Editor: Mohammad H. Tamdgidi, UMass Boston

This 2009 (VII) special issue of Human Architecture: Journal of the Sociology of Self-Knowledge entitled “‘If I touch the Depth of Your Heart …’ : The Human Promise of Poetry in Memories of Mahmoud Darwish” is a commemorative issue on the life and poetry of the late Palestinian poet, Mahmoud Darwish, co-edited by a group of UMass Boston faculty and alumni. Mahmoud Darwish was and is regarded as Palestine’s national poet. He wrote the Palestinian Declaration of Palestine used for the formal establishment of the state of Palestine as declared on November 15, 1988, in Algiers, Algeria. Other than keynote opening statements, the special issue is comprised of a selected series of longer and shorter poems by Mahmoud Darwish, followed by commemorative poetry and essays/articles that directly or indirectly engage with Mahmoud Darwish’s work and/or the subject matter of his passion and love, Palestine and human rights and dignity.

For more information about the special issue of Human Architecture journal on Mahmoud Darwish, please visit here.

OKCIR’s Views on Creative Humanist Research and Publication

Humanist research, in OKCIR's view, must be treated as a creative work and conducted in a unitary and transdisciplinary way. Its publications must therefore be also treated as any creative work of art is treated.

Modern practices of university research are in essence panoptic mechanisms for disciplining and policing innovative and creatively spirited faculty and students alike. They entangle them in intricately and preemptively devised repetitive and hypnotic academic structures, procedures, and tasks that perpetuate their pre-publication self-/censorship in the name of science and in the interest of preserving the knowledge status quo. Scholars who are hired are often subjected to such disproportionate service and teaching duties to recycle and maintain existing knowledge that they end up having no time left to do their primary duty of engaging in critical new research to question outdated knowledge.

Tenure traps, impossibly "blinded review" fallacies, and laughable "self-publishing" labelled stigmas and scarecrows are employed as structural and subliminal panoptic strategies to discourage, exclude, and incarcerate creative works by young and not-so-young scholars worldwide, so as to serve (or to exclude their creative energies pitifully and despairingly from) a Westernized university world-system whose essential function is to maintain a neocolonial, not an egalitarian and liberating, world order.

For more on this topic see "About OKCIR," and for its further discussion, you can read Tamdgidi, M. H. 2005/6. “Editor’s Note: Peer Reviewing the Peer Review Process,Human Architecture: Journal of the Sociology of Self-Knowledge. v. IV, ns. 1&2 (Fall/Spring), vii-xv; also see the editorial note and the articles "Science and Its Malfunctions" by Klaus Fischer (Universität Trier, Germany), and "Scientific Peer Review: An Analysis of the Peer Review Process from the Perspective of Sociology of Science Theories" by Lutz Bornmann (Swiss Federal Institute of Technology Zurich, Switzerland) in Human Architecture: Journal of the Sociology of Self-Knowledge, vol., VI, issue 2, 2008, titled "Sociological Imaginations from the Classroom Plus A Symposium on the Sociology of Science Perspectives on the Malfunctions of Science and Peer Reviewing.

 

… let me share with you a story the late Jesse Reichek (1916-2005), a dear undergraduate advisor of mine and a noted painter and “Professor of Design” at U.C. Berkeley, shared with me once—one that can give the reader a hint about his unusual teaching and advising style as well.

There is much learning material in this anecdote, which he shared with me when I was about to receive my doctorate (he also served as an external examiner on my dissertation committee). At the time, I had completed my dissertation but was not sure of depositing it, getting my degree “paper,” and moving on to an academic career. This was at a time when, as briefly related above, I doubted whether joining the academia would divert me from the path I had envisioned to take as a conclusion of my doctoral studies. Recalling this story now, I find that it has a new meaning and significance for me today.

At that time, hearing my doubts about an academic degree and career, Reichek asked during one of our long phone conversations: “Did I tell you the story of the Marine on the beach!?” I said, “no!”

So, he continued:

Well, … there was this Marine, wandering around the beach, picking up pieces of paper one after another, examining each and then throwing it back to the ground, saying every time, “no, this is NOT it!”

Superiors became quite worried about the Marine’s behavior, so they said to themselves, “he must be losing his mind… he is due for an exam!” So, they took in the Marine and put him through many, many tests. At the end, they concluded that he had surely gone mad, so they gave him his discharge paper and let him go ….

The soldier, excitedly looked at the discharge paper and said to himself: “Yes … THIS IS IT!”

'To Be of But Not in the University

Integrative and Critical Studies on Utopia, Mysticism, and Science

To read the full content of the following publication in embedded PDF format, please click on its image below.


The Completed 12-Book Set of the "Omar Khayyam's Secret" Series (2021-2025)
Image of the Complete 12-Book Set of the Omar Khayyam's Secret Series

Front Cover - Tamdgidi, Mohammad H. - Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 12: Khayyami Legacy: The Collected Works of Omar Khayyam (AD 1021-1123) Culminating in His Secretive 1000 Robaiyat Autobiography. With Forewords by Winston E. Langley and Jafar Aghayani Chavoshi
Front Cover - Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 11: Khayyami Robaiyat: Re-Sewing the Tentmaker’s Tent: 1000 Bittersweet Wine Sips from Omar Khayyam’s Tavern of Happiness--by Mohammad H. Tamdgidi
Front Cover - Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 10: Khayyami Robaiyat: Part 3 of 3: Quatrains 686-1000: Songs of Joy Addressing the Question “Why Can Happiness Exist?”: Explained with New English Verse Translations and Organized Logically Following Omar Khayyam’s Own Three-Phased Method of Inquiry--by Mohammad H. Tamdgidi
Front Cover - Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 9: Khayyami Robaiyat: Part 2 of 3: Quatrains 339-685: Songs of Hope Addressing the Question “What Is Happiness?”: Explained with New English Verse Translations and Organized Logically Following Omar Khayyam’s Own Three-Phased Method of Inquiry--by Mohammad H. Tamdgidi
Front Cover - Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 8: Khayyami Robaiyat: Part 1 of 3: Quatrains 1-338: Songs of Doubt Addressing the Question “Does Happiness Exist?”: Explained with New English Verse Translations and Organized Logically Following Omar Khayyam’s Own Three-Phased Method of Inquiry - by Mohammad Tamdgidi
Front Cover -- Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 7: Khayyami Art: The Art of Poetic Secrecy for a Lasting Existence: Tracing the Robaiyat in Nowrooznameh, Isfahan’s North Dome, and Other Poems of Omar Khayyam, and Solving the Riddle of His Robaiyat AttributabilityDust Jacket -- Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 7: Khayyami Art: The Art of Poetic Secrecy for a Lasting Existence: Tracing the Robaiyat in Nowrooznameh, Isfahan’s North Dome, and Other Poems of Omar Khayyam, and Solving the Riddle of His Robaiyat Attributability-by Mohammad H. Tamdgidi
Front Cover - Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 6: Khayyami Science: The Methodological Structures of the Robaiyat in All the Scientific Works of Omar Khayyam
Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 5: Khayyami Theology: The Epistemological Structures of the Robaiyat in All the Philosophical Writings of Omar Khayyam Leading to His Last Keepsake Treatise— by Mohammad H. Tamdgidi
Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 4: Khayyami Philosophy: The Ontological Structures of the Robaiyat in Omar Khayyam’s Last Written Keepsake Treatise on the Science of the Universals of Existence — by Mohammad H. Tamdgidi
Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 3: Khayyami Astronomy: How Omar Khayyam’s Newly Discovered True Birth Date Horoscope Reveals the Origins of His Pen Name and Independently Confirms His Authorship of the Robaiyat — by Mohammad H. Tamdgidi
Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 1: New Khayyami Studies: Quantumizing the Newtonian Structures of C. Wright Mills’s Sociological Imagination for A New Hermeneutic Method — by Mohammad H. Tamdgidi
Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination: Book 1: New Khayyami Studies: Quantumizing the Newtonian Structures of C. Wright Mills’s Sociological Imagination for A New Hermeneutic Method — by Mohammad H. Tamdgidi

Liberating Sociology: From Newtonian Toward Quantum Imaginations: Volume 1: Unriddling the Quantum Enigma Author: Mohammad H. Tamdgidi
Gurdjieff and Hypnosis: A Hermeneutic Study by Mohammad H. Tamdgidi Gurdjieff and Hypnosis: A Hermeneutic Study explores the life and ideas of the enigmatic twentieth century philosopher, mystic, and teacher of esoteric dances George Ivanovitch Gurdjieff (1872?-1949), performing a hermeneutic textual analysis of all his published writings to illuminate the place of hypnosis in his teaching.
Advancing Utopistics: The Three Component Parts and Errors of Marxism Author: Mohammad H Tamdgidi

Utopistics is the serious assessment of historical alternatives, the exercise of our judgment as to the substantive rationality of alternative possible historical systems. It is a sober, rational, and realistic evaluation of human social systems, the constraints on what they can be, and the zones open to human creativity. Not the face of the perfect (and inevitable) future, but the face of an alternative, credibly better, and historically possible (but far from certain) future.

Immanuel M. Wallerstein (1930-2019) (Co-Founder of World-Systems Studies), Utopistics: Or Historical Choices of the Twenty-First Century (1998)

Studies on Colonialism and Social Movements in the World-System

Mentoring, Methods, and Movements: Colloquium in Honor of Terence K. Hopkins by His Former Students and the Fernand Braudel Center for the Study of Economies, Historical Systems, and Civilizations Twentieth Anniversary Second Edition, Jan. 2017 Editors: Immanuel Wallerstein and Mohammad H Tamdgidi
Rod Bush: Lessons from a Radical Black Scholar on Liberation, Love, and Justice Edited by Melanie E. Bush
Conversations with Enrique Dussel on Anti-Cartesian Decoloniality & Pluriversal Transmodernity HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume XI • Issue 1 • Fall 2013 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Decolonizing the University: Practicing Pluriversity Proceedings of the International Conference on “Quelles universités et quels universalismes demain en Europe? un dialogue avec les Amériques” (“Which University and Universalism for Europe Tomorrow? A Dialogue with the Americas”) Organized by the Institute des Hautes d’Etudes de l’Amerique Latine (IHEAL) with the support of the Université de Cergy-Pontoise and the Maison des Science de l’Homme (MSH), Paris, June 10-11, 2010 HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume X • Issue 1 • Winter 2012 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Contesting Memory: Museumizations of Migration in Comparative Global Context Proceedings of the International Conference on “Museums and Migration” held at the Maison des Science de l’Homme (MSH), June 25-26, 2010, Paris HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume IX • Issue 4 • Fall 2011 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Islam: From Phobia to Understanding Proceedings of the International Conference on “Debating Islamophobia” Co-organized by Casa Árabe-IEAM (www.casaarabe.es) and the Program of Comparative Ethnic Studies in the Department of Ethnic Studies at U.C. Berkeley Madrid, Spain, May 28–29, 2009—In Celebration of Nasr Abu Zayd (1943–2010) HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume VIII • Issue 2 • Fall 2010 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
“If I touch the Depth of Your Heart … ” : The Human Promise of Poetry in Memories of Mahmoud Darwish HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume VII • Special Issue • 2009 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume VII • Issue 4 • Fall 2009 Migrating Identities and Perspectives: Latin America and the Caribbean in Local and Global Contexts Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Historicizing Anti-Semitism Proceedings of the International Conference on the Post-September 11th New Ethnic/Racial Configurations in Europe and the United States: The Case of Anti-Semitism Maison des Science de l’Home (MSH) Paris, June 29-30, 2007 HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume VII • Issue 2 • Spring 2009 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Thich Nhat Hanh’s Sociological Imagination: Essays and Commentaries on Engaged Buddhism Plus Proceedings from the Panels on “Buddhist Contributions to Social Justice” at the Fifth International Buddhist Conference on the United Nations Day of Vesak held in Hanoi, Vietnam—May 2008 HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume VI • Issue 3 • Summer 2008 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Reflections on Fanon: The Violences of Colonialism and Racism, Inner and Global—Conversations with Frantz Fanon on the Meaning of Human Emancipation Proceedings of the Fourth Annual Social Theory Forum, March 27-28, 2007, UMass Boston HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume V • Special Issue • Summer 2007 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Othering Islam: Proceedings of the International Conference on “The Post-September 11 New Ethnic/Racial Configurations in Europe and the United States: The Case of Islamophobia”—Maison des Sciences de l’Homme, Paris, France, June 2-3, 2006 HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume V • Issue 1 • Fall 2006, Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Re-Membering Anzaldúa: Human Rights, Borderlands, and the Poetics of Applied Social Theory: Engaging with Gloria Anzaldua in Self and Global Transformations Proceedings of the Third Annual Social Theory Forum—April 5-6, 2006, UMass Boston HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume IV • Special Issue • Summer 2006, Journal Editor: Mohammad H. Tamdgidi, UMass Boston

Only a pluriversal epistemology that involves all the pluriversal aspects of our [thinking, emotional, and sensible] learning faculties can enable us to fully realize what coloniality has done to our nature in a world-history (and not just in the modern) context, and how we can creatively absorb all the liberating aspects of the world’s traditions, Eastern and Western, in a pluriversal spirit while discarding the imperial habits of political domination, cultural conversion, and economic exploitation that have been the defining features of imperial practice in world-history.

Editor’s Note: I Think; Therefore, I Don’t: Tackling the Enormity of Intellectual Inadvertency'

Okcir Posts

Okcir Press Releases

For offsite OKCIR press releases click here to see OKCIR'S EIN Newswire press releases. For onsite OKCIR press releases click on any of the posts below.

About Okcir

Published Social Theory Forum Proceedings on Liberating Social Theory

There is no way I can say anything except I'm awed, embarrassed. Thank you. The one thing that I would be enormously pleased if it were to come out of it would be a continual reconstruction of your community. Forgive me, but I think people and things live by their continual reconstitution. Each of you will continue and grow individually. Collectively you can engage and reinforce each other. Yes, I hope it's towards movements. Many of you know, this deep belief, and hope, but only hope. It's up to the movements to appropriate us. It's up to us to appropriate movements. I wish only that there be a continuation of this, really if you think about it on a world scale, odd solidarity. It is worth continuing. Thank you.

Terence K. Hopkins (1929-1997) Professor of Sociology, co-Founder of World-Systems Studies, and Founder of the Graduate Program of the Sociology Department at Binghamton University (SUNY)

Studies on Self, Society, and Self-Transformtive Social Movements

Edited Human Architecture Collections in Education

Teaching Transformations 2011 Contributions from the May 2011 Joint Annual Conference of the Center for Innovative Teaching (CIT) and Educational Technology (EdTech) at UMass Boston HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume IX • Issue 3 • Summer 2011 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Learning Transformations: Applied Sociological Imaginations from First Year Seminars and Beyond HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume IX • Issue 2 • Spring 2011 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Graduate Theorizations: Imaginative Applied Sociologies—Manifest and Latent HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume IX • Issue 1 • Winter 2011 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Teaching Transformations 2010 HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume VIII • Issue 1 • Spring 2010 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Sociological Re-Imaginations in & of Universities HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume VII • Issue 3 • Summer 2009 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Teaching Transformations 2009 Contributions from the Annual Conferences of the New England Center for Inclusive Teaching (NECIT) and the Center for the Improvement of Teaching (CIT) at UMass Boston HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume VII • Issue 1 • Winter 2009 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Sociological Imaginations from the Classroom: Plus A Symposium on the Sociology of Science Perspectives on the Malfunctions of Science and Peer Reviewing HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume VI • Issue 2 • Spring 2008 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Teaching Transformation: Contributions from the January 2008 Annual Conference on Teaching for Transformation of the Center for the Improvement of Teaching, UMass Boston HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume VI • Issue 1 • Winter 2008 Journal Editor: Mohammad H. Tamdgidi, UMass Boston Issue Co-Editor: Vivian Zamel, UMass Boston
Insiders/Outsiders: Voices from the Classroom HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume V • Issue 2 • Spring 2007 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Student Scholarships of Learning HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume IV • Issues 1&2 • Fall 2005 / Spring 2006 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Sociology of Self-Knowledge: Course Topic as well as Pedagogical Strategy HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume III • Issues 1&2 • Spring 2004 / Fall 2005 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Students’ Critical Theories in Applied Settings HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume II • Issue 2 • Fall 2003/Spring 2004 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Social Theories, Student Realities HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume II • Issue 1 • Spring 2003 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Student Spiritual Renaissances & Social Reconstructions HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume I • Issue 2 • Fall 2002 Journal Editor: Mohammad H. Tamdgidi, UMass Boston
Student Life Courses & Social Policies HUMAN ARCHITECTURE Journal of the Sociology of Self-Knowledge Volume I • Issue 1 • Spring 2002 Journal Editor: Mohammad H. Tamdgidi, UMass Boston

Published Student Papers: From the Courses Taught by Mohammad H. Tamdgidi and Anna D. Beckwith

Okcir's Classroom
“I” in the World-System: Stories from an Odd Sociology Class Selected Student Writings: Soc 280Z-Sociology of Knowledge: Mysticism, Science, and Utopia, Binghamton University, Spring 1997 Edited by: Mohammad H. Tamdgidi

How the Notion of “Human Architecture” Originated (C. 1980)

I Ching 65: A 20th Anniversary Jesse Reichek Retrospective*

Mainstream architecture,

Reichek said,

Takes the social human context as given—

The physical is regarded as the variable to be transformed.

 

The point is to reverse this:

To assume the physical is given,

And regard the social human context as the object of design and (re)construction—

To use the opportunity of the physical design to transform the social human condition.

 

The radical art of painting,

then,

involves using the opportunities of creation and sharing of the physical painting

in order to creatively transform the social human context,

to help design and construct self-governing individuals and communities, world-over.

 

So, the Jesse Reichek Retrospective is not really about displaying physical artwork already produced.

The event,

The process leading up to it,

And what follows it, are Reichek’s real art at work—always in progress.

March 14, 2004, is itself a brush stroke. The Reicheks’ house an expanded atelier. The Creators Equity Foundation, the brush.

The CD, the paint.

All of us, canvases,

… and partners in creation,

And our dialogues—on and off the stage, within and without— Reichek’s off-canvas painting I Ching 65 … “to be continued.”

3/14/’04

Mohammad H. (Behrooz) Tamdgidi

PS (1) —

We all have different media to work with: buildings, gardens, paintings, writings (prose, poetry) …

But the ultimate canvases are ourselves.

That Reichek’s art is really not about physical media, is apparent to me.

I have hardly seen any of his paintings.

Yet, I feel radically transformed by his situated brushes over many years.

—Painting directly on the variable media, the human canvas.

Question:

Is human architecture possible, without the mediation of the physical media?

Could Reichek have mastered his human art of design without his daily meditations via his physical art of painting?

PS (2) —

“The good question is one that leads you to examine the context in which the question is raised.” (Laure Reichek, the beloved wife of Jesse Reichek)

———-

* A Retrospective held at the Reichek house and studio in Petaluma on March 14, 2004.

Marginal notes of Jesse Reichek (1916-2005), Painter and Professor Design at U.C. Berkeley, while reading the sketch drawing and the marginal reading and class notes by the undergraduate student at the time (c. 1983) Mohammad H. Tamdgidi, in which the notion of "Human Architecture" was born. "Your margin notes as well as class notes are very good. You seem to to have gotten the points and the points are pointing you to more issues — that is good."

The marginal notes of Jesse Reichek (1916-2005), Painter and Professor Design at U.C. Berkeley, while reading the sketch drawing and the marginal reading and class notes by the undergraduate student at the time (c. 1983) Mohammad H. Tamdgidi, in which the notion of “Human Architecture” was born. “Your margin notes as well as class notes are very good. You seem to to have gotten the points and the points are pointing you to more issues — that is good.”

The Human Architecture of Omar Khayyam’s Tent Rediscovered

Okcir Press Releases in Persian (نشرنامه هاى فارسى)

Other OKCIR Research Reports